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	<id>https://www.arthur-conan-doyle.com/index.php?action=history&amp;feed=atom&amp;title=Borrowed_Sins</id>
	<title>Borrowed Sins - Revision history</title>
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	<updated>2026-06-04T15:10:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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		<id>https://www.arthur-conan-doyle.com/index.php?title=Borrowed_Sins&amp;diff=134526&amp;oldid=prev</id>
		<title>TCDE-Team at 14:38, 6 March 2026</title>
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		<updated>2026-03-06T14:38:35Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:38, 6 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |author=Catherine Cooke&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |author=Catherine Cooke&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |topic=Oscar Wilde&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |topic=Oscar Wilde&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |summary=This article explores the literary relationship between Arthur Conan Doyle and Oscar Wilde, focusing on their 1889 Langham Hotel dinner with editor Joseph Stoddart that led to The Sign of the Four and The Picture of Dorian Gray. It also examines possible mutual literary influences between the two writers and Conan Doyle&#039;s later fascination with alleged posthumous messages from Wilde through Spiritualist mediums.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;  |summary=This article explores the literary relationship between Arthur Conan Doyle and Oscar Wilde, focusing on their 1889 Langham Hotel dinner with editor Joseph &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M. &lt;/ins&gt;Stoddart that led to The Sign of the Four and The Picture of Dorian Gray. It also examines possible mutual literary influences between the two writers and Conan Doyle&#039;s later fascination with alleged posthumous messages from Wilde through Spiritualist mediums.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Borrowed Sins&amp;#039;&amp;#039; is an article written by [[Catherine Cooke]] published in the [[A.C.D. - The Journal of The Arthur Conan Doyle Society]] (Vol. 7, 1996/7).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;Borrowed Sins&amp;#039;&amp;#039; is an article written by [[Catherine Cooke]] published in the [[A.C.D. - The Journal of The Arthur Conan Doyle Society]] (Vol. 7, 1996/7).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This article explores the literary relationship between [[Arthur Conan Doyle]] and [[Oscar Wilde]], focusing on their 1889 Langham Hotel dinner with editor [[Joseph Stoddart]] that led to [[SIGN|The Sign of the Four]] and &#039;&#039;The Picture of Dorian Gray&#039;&#039;. It also examines possible mutual literary influences between the two writers and [[Arthur Conan Doyle|Conan Doyle]]&#039;s later fascination with alleged posthumous messages from [[Oscar Wilde|Wilde]] through Spiritualist mediums.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This article explores the literary relationship between [[Arthur Conan Doyle]] and [[Oscar Wilde]], focusing on their 1889 Langham Hotel dinner with editor [[Joseph &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;M. &lt;/ins&gt;Stoddart]] that led to [[SIGN|The Sign of the Four]] and &#039;&#039;The Picture of Dorian Gray&#039;&#039;. It also examines possible mutual literary influences between the two writers and [[Arthur Conan Doyle|Conan Doyle]]&#039;s later fascination with alleged posthumous messages from [[Oscar Wilde|Wilde]] through Spiritualist mediums.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</summary>
		<author><name>TCDE-Team</name></author>
	</entry>
	<entry>
		<id>https://www.arthur-conan-doyle.com/index.php?title=Borrowed_Sins&amp;diff=134514&amp;oldid=prev</id>
		<title>TCDE-Team: Created page with &quot;{{Cargo_Research_Articles  |date=1997-01-01  |author=Catherine Cooke  |topic=Oscar Wilde  |summary=This article explores the literary relationship between Arthur Conan Doyle and Oscar Wilde, focusing on their 1889 Langham Hotel dinner with editor Joseph Stoddart that led to The Sign of the Four and The Picture of Dorian Gray. It also examines possible mutual literary influences between the two writers and Conan Doyle&#039;s later fascination with alleged posthumous messages f...&quot;</title>
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		<updated>2026-03-06T14:37:47Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Cargo_Research_Articles  |date=1997-01-01  |author=Catherine Cooke  |topic=Oscar Wilde  |summary=This article explores the literary relationship between Arthur Conan Doyle and Oscar Wilde, focusing on their 1889 Langham Hotel dinner with editor Joseph Stoddart that led to The Sign of the Four and The Picture of Dorian Gray. It also examines possible mutual literary influences between the two writers and Conan Doyle&amp;#039;s later fascination with alleged posthumous messages f...&amp;quot;&lt;/p&gt;
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