Dr. Conan Doyle: A Character Sketch: Difference between revisions

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[[File:the-young-man-1894-07-p223-dr-conan-doyle-a-character-sketch.jpg|thumb|250px|right|[[The Young Man]] (july 1894, p. 223)]]
[[File:the-young-man-1894-07-p223-dr-conan-doyle-a-character-sketch.jpg|thumb|250px|right|[[The Young Man]] (july 1894, p. 223)]]


The first impression which one takes of Conan Doyle is that of strength, and the more one knows of him the more dominant does the impression become. He is at the furthest possible remove from the traditional conception of the author, "sicklied o'er with the pale cast of thought." He might readily be taken for a person of sea faring experiences, an ex-soldier of the Guards, a Central African explorer, an adventurer and sportsman worthy of the comradeship of Mr. Selous, or indeed anything implying a life of resolute and daring action. And in conveying this impression, Nature does not lie. Edward Fitzgerald, in one of his delightful letters, speaks of the substantial goodness of the peasantry, as being the "funded virtue" of generations of sturdy and much - enduring men and women. There must be a good deal of funded manliness in Conan Doyle, for he comes of a fighting race. If I am not misinformed, no fewer than five of his family fought at Waterloo.
The first impression which one takes of [[Arthur Conan Doyle|Conan Doyle]] is that of strength, and the more one knows of him the more dominant does the impression become. He is at the furthest possible remove from the traditional conception of the author, "sicklied o'er with the pale cast of thought." He might readily be taken for a person of sea faring experiences, an ex-soldier of the Guards, a Central African explorer, an adventurer and sportsman worthy of the comradeship of Mr. Selous, or indeed anything implying a life of resolute and daring action. And in conveying this impression, Nature does not lie. Edward Fitzgerald, in one of his delightful letters, speaks of the substantial goodness of the peasantry, as being the "funded virtue" of generations of sturdy and much - enduring men and women. There must be a good deal of funded manliness in Conan Doyle, for he comes of a fighting race. If I am not misinformed, no fewer than five of his family fought at Waterloo.


He himself has had a career calling for very high qualities of courage, and no one who knows him can doubt that in a life of stirring action he would display fine elements, and find a theatre admirably adapted to his tastes.
He himself has had a career calling for very high qualities of courage, and no one who knows him can doubt that in a life of stirring action he would display fine elements, and find a theatre admirably adapted to his tastes.


The blunt honesty and manliness of his nature come out in all he does and says. He forms clear and straightforward judgments on men and things, and expresses them with fearless frankness. He will never be a partisan, or a member of a literary clique. He will never go out of his way to win an audience, or even to conciliate a prejudice. He once told me that he had no faith whatever in criticism, and thought that in the long run neither adulation nor depreciation had much to do with the fortunes of a book. A book might be puffed into notoriety, but never into fame: it might be neglected or depreciated, but if it deserved fame it would assuredly win it. His faith was not in the professional critics, but in the great public itself, which had a shrewd idea as to what suited it, and after all bought not what the critics liked, but what it liked. Moreover, the public did not need to be told that a book was good : it found it out for itself, and not all the mob of gentlemen who write with ease could prevent that discovery, though occasionally they might do something to accelerate it. For whatever else he is not, Conan Doyle is a very ardent democrat, with the most complete faith in the people, not merely in the matter of the soundness of their general judgment on books, but also in all the great questions of social welfare, and political life and progress.
The blunt honesty and manliness of his nature come out in all he does and says. He forms clear and straightforward judgments on men and things, and expresses them with fearless frankness. He will never be a partisan, or a member of a literary clique. He will never go out of his way to win an audience, or even to conciliate a prejudice. He once told me that he had no faith whatever in criticism, and thought that in the long run neither adulation nor depreciation had much to do with the fortunes of a book. A book might be puffed into notoriety, but never into fame: it might be neglected or depreciated, but if it deserved fame it would assuredly win it. His faith was not in the professional critics, but in the great public itself, which had a shrewd idea as to what suited it, and after all bought not what the critics liked, but what it liked. Moreover, the public did not need to be told that a book was good : it found it out for itself, and not all the mob of gentlemen who write with ease could prevent that discovery, though occasionally they might do something to accelerate it. For whatever else he is not, [[Arthur Conan Doyle|Conan Doyle]] is a very ardent democrat, with the most complete faith in the people, not merely in the matter of the soundness of their general judgment on books, but also in all the great questions of social welfare, and political life and progress.


My first acquaintance with Conan Doyle's writings began with ''[[Micah Clarke]]'', which I esteemed then, and still think to be, his finest book. In this opinion he himself would not agree. It is well known that he prefers the ''[[The White Company|White Company]]''. I suspect however, that this
My first acquaintance with [[Arthur Conan Doyle|Conan Doyle]]'s writings began with ''[[Micah Clarke]]'', which I esteemed then, and still think to be, his finest book. In this opinion he himself would not agree. It is well known that he prefers the ''[[The White Company|White Company]]''. I suspect however, that this





Revision as of 00:16, 8 February 2022

Dr. Conan Doyle: A Character Sketch is an article written by W. J. Dawson about Arthur Conan Doyle published in The Young Man in july 1894.


Dr. Conan Doyle: A Character Sketch

The Young Man (july 1894, p. 218)
The Young Man (july 1894, p. 219)
The Young Man (july 1894, p. 220)
The Young Man (july 1894, p. 221)
The Young Man (july 1894, p. 222)
The Young Man (july 1894, p. 223)

The first impression which one takes of Conan Doyle is that of strength, and the more one knows of him the more dominant does the impression become. He is at the furthest possible remove from the traditional conception of the author, "sicklied o'er with the pale cast of thought." He might readily be taken for a person of sea faring experiences, an ex-soldier of the Guards, a Central African explorer, an adventurer and sportsman worthy of the comradeship of Mr. Selous, or indeed anything implying a life of resolute and daring action. And in conveying this impression, Nature does not lie. Edward Fitzgerald, in one of his delightful letters, speaks of the substantial goodness of the peasantry, as being the "funded virtue" of generations of sturdy and much - enduring men and women. There must be a good deal of funded manliness in Conan Doyle, for he comes of a fighting race. If I am not misinformed, no fewer than five of his family fought at Waterloo.

He himself has had a career calling for very high qualities of courage, and no one who knows him can doubt that in a life of stirring action he would display fine elements, and find a theatre admirably adapted to his tastes.

The blunt honesty and manliness of his nature come out in all he does and says. He forms clear and straightforward judgments on men and things, and expresses them with fearless frankness. He will never be a partisan, or a member of a literary clique. He will never go out of his way to win an audience, or even to conciliate a prejudice. He once told me that he had no faith whatever in criticism, and thought that in the long run neither adulation nor depreciation had much to do with the fortunes of a book. A book might be puffed into notoriety, but never into fame: it might be neglected or depreciated, but if it deserved fame it would assuredly win it. His faith was not in the professional critics, but in the great public itself, which had a shrewd idea as to what suited it, and after all bought not what the critics liked, but what it liked. Moreover, the public did not need to be told that a book was good : it found it out for itself, and not all the mob of gentlemen who write with ease could prevent that discovery, though occasionally they might do something to accelerate it. For whatever else he is not, Conan Doyle is a very ardent democrat, with the most complete faith in the people, not merely in the matter of the soundness of their general judgment on books, but also in all the great questions of social welfare, and political life and progress.

My first acquaintance with Conan Doyle's writings began with Micah Clarke, which I esteemed then, and still think to be, his finest book. In this opinion he himself would not agree. It is well known that he prefers the White Company. I suspect however, that this


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